Cowboy Movies

January 10, 2009

The Good, the Bad and the Ugly

Filed under: 1960's Films — Tags: , — Wayne @ 8:59 am
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The Good, the Bad and the Ugly (Italian: Il Buono, il Brutto, il Cattivo) is a 1966 Italian epic spaghetti western film directed by Sergio Leone, starring Clint Eastwood, Lee Van Cleef, and Eli Wallach in the title roles. The screenplay was written by Age & Scarpelli, Luciano Vincenzoni and Leone, based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film’s sweeping widescreen cinematography and Ennio Morricone composed the famous film score. It is the third and final film in the Dollars trilogy following A Fistful of Dollars (1964) and For a Few Dollars More (1965). The plot centers around three gunslingers competing to find a fortune in buried Confederate gold amid the violent chaos of gunfights, hangings, Civil War battles, and prison camps.

Opening on December 15, 1966 in Italy and in the U.S. on December 23, 1967, the film grossed $6.1 million, but was criticized for its depiction of violence. Leone explains that “the killings in my films are exaggerated because I wanted to make a tongue-in-cheek satire on run-of-the-mill westerns… The west was made by violent, uncomplicated men, and it is this strength and simplicity that I try to recapture in my pictures.” To this day, Leone’s effort to reinvigorate the timeworn Western is widely acknowledged: The Good, the Bad and the Ugly has been described as European cinema’s best representative of the Western genre film, and Quentin Tarantino has called it “the best-directed film of all time.”

Release

The Good, the Bad and the Ugly was not released in the U.S. until December 1967. The original, Italian version was 2 hours, 57 minutes long, but the U.S. version was 2 hours, 41 minutes, cut 16 minutes shorter. Since the scenes were deleted before the entire film was dubbed to English, that quarter-hour’s-worth of story footage rarely was shown in U.S. cinemas, nevertheless, MGM’s 1998 U.S. DVD release includes them, in the original Italian, sans English subtitles.

Given that the Italian Il Buono, il Brutto, il Cattivo literally translates to the English: The Good, the Ugly, the Bad, reversing the last two adjectives, advertisements for the original Italian release show Tuco before Angel Eyes, and, when translated to English, erroneously label Angel Eyes as “The Ugly” and Tuco as “The Bad”.

The film was initially banned in Norway and did not have its premiere there until 15 years later, on October 8, 1982

  • Clint Eastwood as Blondie: The Good, a.k.a. the Man with No Name, a subdued, cocksure bounty hunter who competes with Tuco and Angel Eyes to find the buried gold in the middle of the two warring factions of the American Civil War. Blondie and Tuco have an ambivalent partnership. Tuco knows the name of the cemetery where the gold is hidden, but Blondie knows the name of the grave where it’s buried, forcing them to work together to find the treasure. In spite of this greedy quest, Blondie’s pity for the dying soldiers in the chaotic carnage of the War is evident. “I’ve never seen so many men wasted so badly,” he laments. Rawhide had ended its run in 1965 and at that point neither of Clint Eastwood’s Italian films had been released in the United States. When Leone offered him a role in his next movie it was the only big film offer he had but the actor still needed to be convinced to do it. Leone and his wife traveled to California to persuade Eastwood. Two days later, he agreed to make the movie and would be paid $250,000 plus 10% of the profits from the North American markets – a deal that Leone was not happy with.
  • Lee Van Cleef as Angel Eyes: The Bad, a ruthless, unfeeling and sociopathic mercenary named “Angel Eyes” (Sentenza in the Italian version) who kills anyone in his path. When Blondie and Tuco are captured while posing as Confederate soldiers, Angel Eyes is the Union sergeant who interrogates them and tortures Tuco, eventually learning the name of the cemetery where the gold is buried, but not the tombstone. Angel Eyes forms a fleeting partnership with Blondie, but Tuco and Blondie turn on Angel Eyes when they get their chance. Originally, Leone wanted Charles Bronson to play Angel Eyes but he had already committed to The Dirty Dozen (1967). Leone thought about working with Lee Van Cleef again: “I said to myself that Van Cleef had first played a romantic character in For a Few Dollars More. The idea of getting him to play a character who was the opposite of that began to appeal to me.”
  • Eli Wallach as Tuco: The Ugly, Tuco Benedicto Pacifico Juan Maria Ramirez, a comical, oafish, fast talking bandit who is wanted by the authorities. Tuco manages to discover the name of the cemetery where the gold is buried, but he doesn’t know the name of the grave – only Blondie does. This state of affairs forces Tuco to become reluctant partners with Blondie. The director originally considered Gian Maria Volonté for the role of Tuco, but felt that the role required someone with “natural comic talent”. In the end, Leone chose actor Eli Wallach based on his role in How the West Was Won (1962), in particular, his performance in “The Railroads” scene. In L.A., Leone met with Wallach, who was skeptical about playing this type of character again, but after Leone screened the opening credit sequence from For a Few Dollars More, Wallach said: “When do you want me?” The two men got along famously, sharing the same bizarre sense of humor. Leone allowed Wallach to make changes to his character in terms of his outfit and recurring gestures. Both Eastwood and Van Cleef realized that the character of Tuco was close to Leone’s heart, and director and Wallach became good friends. Van Cleef observed, “Tuco is the only one of the trio the audience gets to know all about. We meet his brother and find out where he came from and why he became a bandit. But Clint’s character and mine remain mysteries.”
  • However, in the Theatrical Trailer, Angel Eyes is referred to as The Ugly and Tuco, The Bad. This is due to a translation error; the original Italian title translates literally to “The Good, the Ugly, the Bad”.

Django

Filed under: 1960's Films — Tags: — Wayne @ 8:56 am
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Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the title role. Popular in Europe, it became a cult film in the US. Nero went on to play a similar antihero in many subsequent Westerns.

Production

The film’s look was the work of production designer Carlo Simi, who had created costumes and sets for Corbucci’s earlier film Minnesota Clay, and who worked frequently with the signature spaghetti-Western director, Sergio Leone.

Reception

Django received an 18-certificate in Italy due to its violence. Bolognini says Corbucci “forgot” to cut out the ear-severing scene when the censors requested he remove it. There are rumored to be over 100 unofficial sequels, though only 31 have been counted. Four were made the same year, in 1966. Most of these films have nothing to do with Corbucci’s original: Italian copyright law seems to have been very loose in the 1960s and 70s and filmmakers frequently borrowed the names of the protagonists of other successful films – Django, Ringo, Joe, Sartana, and Sabata frequently appeared.

Cultural references

  • The infamous “ear cutting scene” in the Quentin Tarantino film Reservoir Dogs was inspired by this film which shows the Mexican leader cutting the ear off of one of Major Jackson’s men.
  • Django is the film being watched by the theater audience in The Harder They Come, which is about a Jamaican outlaw styled after Ivan Rhygin.
  • Lee Perry‘s second album is titled Return of Django, and he has released tracks called “Django (Ol’ Man River)” and “Django shoots first”.
  • An episode of Cowboy Bebop features a character dragging a coffin.
  • The video game and anime series Gungrave features the main character carrying a coffin full of weapons.
  • In Tenchi Universe, the character Nagi enters the climatic battle while dragging a coffin to a Western-looking city on Venus.
  • Mr. Black, a boss in the video game Red Dead Revolver, carries a coffin with a gatling gun inside.
  • The main character in the Boktai video game series is named Django; characters named Ringo and Sabata also appear. When Django defeats each Immortal boss, it retreats into its coffin, and Django must drag the coffin to a room where it can be properly destroyed.
  • The punk band Rancid has a song inspired by the movie, aptly titled “Django”, on its album Indestructible. The chorus is Django!/You drag your coffin around/You drag your coffin around/You drag your coffin around. Django!/You drag your coffin around/All around town/Just like a dead man does”.
  • One-man metal band Thrones covers the theme song to Django on the album Sperm Whale.
  • In the Rob Zombie song “Feel So Numb”, the opening lyrics to the third verse are “Django drag a coffin nail across your back”.
  • The Danzig music video for “Crawl Across Your Killing Floor” features Glenn Danzig dragging a coffin.
  • Filipino billiards champion Francisco “Django” Bustamante earned his nickname after having been called “Django” by his friends; he eventually adopted it as his professional name.
  • “Don’t Tango with Django” is the name of a track on the ‘b’ side of Joe Strummer’s Gangsterville single, released in 1989.

Billy the Kid vs. Dracula

Filed under: 1960's Films — Tags: — Wayne @ 8:51 am
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Billy the Kid vs. Dracula is a low-budget horror/western film directed by William Beaudine. It was released as a part of a set, along with Jesse James Meets Frankenstein’s Daughter in 1966.

The film centers on Dracula’s plot to convert Billy the Kid’s fiancee, Betty Bentley, into his vampire wife. Dracula impersonates Bentley’s uncle and schemes to make her his vampiric bride.

Fortunately for Betty, a German immigrant couple come to work for her and warn Bentley that her “uncle” is a vampire. While Bentley does not believe them, their concerns confirm Billy’s suspicions that something is not quite right with Betty’s uncle.

Eventually, the Count kidnaps Betty and takes her to an abandoned silver mine. Billy confronts the Count but soon finds that bullets are no match for a vampire. The Count subdues the notorious outlaw and sets out to transform Betty into his vampire mate. Just then, the town sheriff and a country doctor arrive. The doctor hands Billy a scalpel telling him he must drive it through the vampire’s heart. Billy throws his gun at the vampire and knocks him senseless, making him easy pickings for a staking. With the count destroyed, Betty is saved and Billy takes her away, presumably to live happily ever after.

Cast

  • John Carradine …. Count Dracula
  • Chuck Courtney …. William ‘Billy the Kid’ Bonney
  • Melinda Plowman …. Elizabeth (Betty) Bentley
  • Virginia Christine …. Eva Oster
  • Walter Janovitz …. Franz Oster
  • Bing Russell …. Dan ‘Red’ Thorpe
  • Olive Carey …. Dr. Henrietta Hull
  • Roy Barcroft …. Sheriff Griffin
  • Hannie Landman …. Lisa Oster
  • Richard Reeves …. Pete (saloonkeeper)
  • Marjorie Bennett …. Mary Ann Bentley
  • William Forrest …. James Underhill
  • George Cisar …. Joe Flake
  • Harry Carey, Jr. …. Ben Dooley (wagonmaster)
  • Leonard P. Geer …. Yancy (as Lennie Geer)

The Appaloosa

Filed under: 1960's Films — Tags: — Wayne @ 8:49 am
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The Appaloosa (a.k.a.: “Southwest to Sonora”) is a 1966 American western film (set in the 1870s) from Universal Pictures starring Marlon Brando, Anjanette Comer and John Saxon (actor), who was nominated for a Golden Globe for Best Supporting Actor for his portrayal of a Mexican bandit. The film was directed by Sidney J. Furie, shot in Mexico.

Plot

The title character is a beautiful horse (a breed, the Appaloosa) of Matt Fletcher (Marlon Brando), a Mexican-American buffalo hunter returns home only to have his beloved horse stolen by a powerful bandit, Chuy Medina (John Saxon) with the help of the bandit’s girlfriend, Trini (Anjanette Comer). Trini was sold to Chuy at the age of 15, but now, is brutalized and soon to be discarded.

Matt begins to hunt down the bandit to recapture the horse, but finds matters more complicated than expected when he meets the girlfriend of the bandit. Fletcher is subjected to torture and humiliation by Saxon and his minions. A later foray into Medina’s camp results in a brutal wrestling match between Fletcher and the bandito. Again left to die, Fletcher is rescued by Trini, who despises her “lover”, Chuy, and prefers Fletcher’s company. During the violence-laden climax, Fletcher is forced to choose between Trini and his beloved Appaloosa. Matt, realizing that Trini means more to him than the horse, sends out the Appaloosa to draw Chuy’s fire. As the bandit aims for the horse, Matt fires and kills him. Matt and Trini then cross the border with the Appaloosa to start a new life.

This film has been called “Brando’s spaghetti western.” It was released as Southwest to Sonora in the United Kingdom.

The rifle Brando uses in the beginning is a Sharps Buffalo Rifle.

Cast

  • Marlon Brando as Matt Fletcher
  • Anjanette Comer as Trini
  • John Saxon as Chuy Medina
  • Emilio Fernández as Lazaro
  • Alex Montoya as Squint Eye
  • Míriam Colón as Ana
  • Rafael Campos as Paco
  • Frank Silvera as Ramos
  • Larry D. Mann as Priest
  • Argentina Brunetti as Yaqui woman

The Sons of Katie Elder

Filed under: 1960's Films — Tags: — Wayne @ 8:46 am
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The Sons of Katie Elder is a 1965 western film directed by Henry Hathaway and starring John Wayne and Dean Martin. The film was released by Paramount Pictures.

Plot

The four grown-up sons of Katie Elder – John, Tom, Bud and Matt – reunite at their hometown, Clearwater, Texas, in 1898 for their mother’s funeral. All four of them share some regret with each other as none of them have done her exactly proud, although until her death she had held her hopes high for her offspring.

However, the townspeople are mostly not on friendly terms with John, the eldest of the four and a professional gunslinger. Morgan Hastings, the owner of the local gunsmithy and inheritor of the old Elder ranch after their father’s death, begins to display an increasingly hostile attitude towards the brothers. This only serves to pique their curiosity, and after asking questions about their mother’s demise they begin to suspect foul play. But as soon as it becomes clear that Hastings is a villain, he frames the Elders for murder and, not content with seeing them going to prison, arranges an ambush in which Matt is killed and Bud seriously injured. Enraged and confronted with the truth, John takes it upon himself to avenge his family by going after Hastings.

Production

  • Filmed shortly after Wayne’s surgery to remove a cancerous lung and two ribs, the star insisted on doing his own stunts, and nearly contracted pneumonia after being dragged into a river.
  • The 2005 film Four Brothers was loosely based on The Sons of Katie Elder.

Cast

  • John Wayne as John Elder
  • Dean Martin as Tom Elder
  • Martha Hyer as Mary Gordon
  • Michael Anderson, Jr. as Bud Elder
  • Earl Holliman as Matt Elder
  • Jeremy Slate as Ben Latta
  • James Gregory as Morgan Hastings
  • Paul Fix as Sheriff Billy Watson
  • George Kennedy as Curley
  • Dennis Hopper as Dave Hastings

The Outlaws Is Coming

Filed under: 1960's Films — Tags: — Wayne @ 8:43 am
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The Outlaws IS Coming! was the sixth and last theatrical feature film to star the Three Stooges after their 1959 resurgence in popularity. By this time, the trio consisted of Moe Howard, Larry Fine, and Curly Joe DeRita. Like its predecessor, The Three Stooges Go Around the World in a Daze, The Outlaws IS Coming! was directed by Moe’s son-in-law, Norman Maurer.

When the movie was released, a number of English teachers expressed displeasure over the movie’s grammatically incorrect title.

Plot

Rance Roden (Don Lamond) plans to kill off all the buffalo and thus cause the Indians to riot. After they destroy the US Cavalry (his real enemy), Rance and his gang will take over the West. Meanwhile, a Boston magazine gets wind of the buffalo slaughter and sends editor Kenneth Cabot (Adam West) and his associates (Moe, Larry and Curly-Joe) to Casper, Wyoming to investigate. Once there, Ken’s shooting skills (secretly aided by sharp shooter Annie Oakley (Nancy Kovack) earn him the job of town sheriff. Rance has his band of bad guys called in to have the lawmen wiped out, but the Stooges sneak into the gang’s hideout (while they are asleep) and glue their firearms to their holsters. When Ken confronts the bad guys, the bad guys (with Stooge-like prompting from the boys) decide that a life of justice is better than crime. Meanwhile, Rance and Trigger attempt to sell firearms to the Indians, but the Stooges foil this plan by snapping a picture of them selling in the process.

Cast

  • Moe Howard: Moe
  • Larry Fine: Larry
  • Curly Joe DeRita: Curly-Joe
  • Adam West: Kenneth Cabot
  • Nancy Kovack: Annie Oakley
  • Mort Mills: Trigger Mortis
  • Don Lamond: Rance Roden
  • Rex Holman: Sunstroke Kid
  • Emil Sitka: Mr. Abernathy/Witch doctor/Cavalry colonel
  • Henry Gibson: Charlie Horse
  • Murray Alper: Chief Crazy Horse
  • Tiny Brauer: Bartender
  • Paul Frees: Narrator/The Magic Talking Mirror (voice)

The Hallelujah Trail

Filed under: 1960's Films — Tags: — Wayne @ 8:41 am
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The Hallelujah Trail is a 1965 Western spoof directed by John Sturges and starring Burt Lancaster, Lee Remick, Brian Keith, Donald Pleasence, and Martin Landau, amongst others.

Plot Synopsis

The film is presented in a pseudo-documentary style, with a serious, tongue-in-cheek narrator (John Dehner) providing historical background and context, and periodically interrupting the story to point out animated charts illustrating strategic positions of various groups.

In the year 1867, signs that the approaching winter will be a hard one produce agitation in the burgeoning mining town of Denver, Colorado, as the hard-drinking citizenry fear a shortage of whiskey. Taking advice from Oracle Jones (Donald Pleasence), a local guide and seer (but only when under the influence of alcohol), the populace arrange for a mass shipment, forty wagons full of whiskey, from the Wallingham Freighting Company. The wagon train heads out, under the direction of company owner Frank Wallingham (Brian Keith), regarded as a “a taxpayer and a good Republican.”

This cargo then becomes the target for several diverse groups, each with their own leaders and plans. Young Capt. Paul Slater (Jim Hutton) of the United States Cavalry is assigned by Fort Russell commander Col. Thaddeus Gearhart (Burt Lancaster) to escort the Wallingham Wagon Train, and merely wishes to carry out his orders. A group of Irish teamsters, hired as wagon drivers, wishes to strike unless whiskey rations are distributed. Crusading temperance leader Cora Templeton Massingale (Lee Remick) and her followers, informed of the alcoholic cargo, wish to intercept the train and destroy its contents; the group is escorted by a second cavalry division under the command of a reluctant Col. Gearhart. Gearhart’s daughter (Pamela Tiffin) is engaged to Slater and entranced by Mrs. Massingale’s message. Despite their extremely different personalities and inability to see eye to eye, the weatherbeaten Gearhart and beautiful Cora Massingale fall in love with each other (beneath her composure and grace, even her occasional ribbing against him, Cora is infatuated with Gearhart from the moment he rides into the fort and spends much of the film trying subtly to win his affection). Other interested parties include Sioux Indians, led by “real boozer” Chief Five Barrels (Robert J. Wilke) and Walks-Stooped-Over (Martin Landau), and a Denver citizens militia, led by Clayton Howell (Dub Taylor) and guided by Oracle, concerned about obtaining their precious supply of drinkables. Inevitably, the various groups converge, and the ensuing property struggle is played out through a series of comic set pieces and several diplomatic overtures by an increasingly weary Gearhart.

The film was one of several large-scale, long-form “epic” comedies produced in the 1960s, much like The Great Race or It’s a Mad, Mad, Mad, Mad World, combined with the epic grandeur of the Western genre. The movie is technically outstanding, having been filmed in Ultra Panavision 70 and presented in 70 mm Cinerama in premiere engagements.

For a Few Dollars More

Filed under: 1960's Films — Tags: — Wayne @ 8:39 am
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For a Few Dollars More (Italian: Per Qualche Dollaro in Più) is a 1965 spaghetti western film directed by Sergio Leone and starring Clint Eastwood, Lee Van Cleef and Gian Maria Volontè. German actor Klaus Kinski also plays a supporting role as a secondary villain. The film was released in the United States in 1967 and is the second part of what is commonly known as the “Dollars” trilogy.

Production

After the box-office success of A Fistful of Dollars in Italy, director Sergio Leone and his new producer, Alberto Grimaldi, wanted to begin production of a sequel, but they needed to get Clint Eastwood to agree to star in it. Clint Eastwood was not ready to commit to a second film when he had not even seen the first. Quickly, the filmmakers rushed an Italian-language print (a U.S. version did not yet exist) of Per un Pugno di Dollari to him. The star then gathered a group of friends for a debut screening at CBS Production Center and, not knowing what to expect, tried to keep expectations low by downplaying the film. As the reels unspool, however, Eastwood’s concerns proved to be unfounded. The audience may not have understood Italian, but in terms of style and action, the film spoke volumes. “Everybody enjoyed it just as much as if it had been in English”, Eastwood recalled. Soon, he was on the phone with the filmmakers’ representative: “Yeah, I’ll work for that director again,” he said. The film was shot in Almería, Spain, with interiors done at Rome’s Cinecittà Studios.

The production designer, Carlo Simi built the town of “El Paso” in the Almería desert: it still exists, as a tourist attraction. The town of Agua Caliente, where Indio and his gang flee after the bank robbery, is Albaricoques, a small “pueblo blanco” on the Nijar plain.

References in other media

  • In the video-game Metal Gear Solid 3: Snake Eater, Revolver Ocelot, a character based on Lee Van Cleef, fixes a stock to his Single Action Army revolver during the game’s climactic chase scene. Cleef’s character used a stock-affixed Single Action Army in this film as well.
  • In the online multiplayer fantasy game, EverQuest II, in the Kylong Plains, starts a long quest series first entitled, “A Fistful of Metal” (in which two sides are pitted against each other by your character), which then continues on to, “For a Few Coins More”. In “For a Few Coins More”, there is a character NPC (Non Player Character; computer controlled by the game) named Colonel Leevan, a bounty hunter in black (obviously the game character’s name is a play on the actor’s name Van Cleef), that wants you to find who killed his sister. You are eventually sent to a creature known as a Drolvarg, named “Indigo” (yet another play on names). You wind up fighting his gang of drolvargs, and then “bringing justice” for Colonel Leevan. When Indigo is dead, you receive a Music Puzzle Box that you return to Leevan with to complete this second in a three-part quest line. The third quest is called, “An Ugly Bounty”.
  • In the Terry Pratchett novel Men at Arms, the character of Captain Samuel Vimes is to be presented with a pocket watch as a retirement gift. In the climactic scene where Vimes confronts the main villain of the story, Corporal Carrot uses the musical chime of the watch to prevent Vimes from killing the villain. Pratchett has confirmed that it is supposed to be the same chime as the pocket watch in For a Few Dollars More.
  • In the Japanese animated series Noir, a musical pocket watch features prominently throughout the story. In the second to last episode, the watch’s chime prevents one of the Noir candidates from killing another, setting up a three-way standoff highly reminiscent of the final fight between Manco, Mortimer and Indio.
  • In the Disney film Pirates of the Caribbean: At World’s End, the villain Davy Jones (played by Bill Nighy) and his former lover Tia Dalma (Naomie Harris) have matching lockets. One scene, where Tia Dalma’s locket stops playing and Jones’ continues, is taken directly from the final duel of the movie. Director Gore Verbinski is an acknowledged fan of Leone, so this is likely a deliberate homage.
  • In the 1998 Film, Lock Stock and Two Smoking Barrels, a chime plays immediately prior to a shoot-out Harry “the Hatchet”, Barry, and Gary and Dean.
  • The 187 Lockdown song “Gunman” features a sample of the musical chimes from the film. The song is on the band’s 1998 album 187.
  • In Stephen King’s Dark Tower series, one of the many aliases of Randall Flagg, a nemesis of Roland Deschain (who King has revealed to be modeled after The Man With No Name), is the Man in Black.

Cast

  • Clint Eastwood as The Man With No Name
  • Lee Van Cleef as Col. Douglas Mortimer
  • Gian Maria Volontè as El Indio
  • Mara Krupp as Mary, Hotel Manager’s beautiful wife
  • Luigi Pistilli as Groggy, Member of Indio’s Gang
  • Klaus Kinski as Juan Wild, The Hunchback
  • Joseph Egger as Old Prophet
  • Panos Papadopulos as Sancho Perez, Member of Indio’s Gang
  • Benito Stefanelli as Hughie, Member of Indio’s Gang
  • Roberto Camardiel as Station clerk
  • Aldo Sambrell as Cuchillio, Member of Indio’s Gang
  • Luis Rodríguez as Member of Indio’s Gang
  • Tomás Blanco as Santa Cruz Telegrapher

Cat Ballou

Filed under: 1960's Films — Tags: — Wayne @ 8:36 am
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Cat Ballou is a 1965 comedy-western film which tells the story of a woman who hires a famous gunman to protect her father’s ranch, and later to avenge his murder, but finds that the man she hires isn’t what she expected. The movie stars Jane Fonda, Lee Marvin (in his Oscar-winning dual role), Michael Callan, Dwayne Hickman, Nat King Cole, and Stubby Kaye.

The screenplay was adapted by Walter Newman and Frank Pierson from the novel by Roy Chanslor. The film was directed by Elliot Silverstein. The novel was originally a serious Western, but was turned into a comedy for the movie.

Influence

  • Cat Ballou is the favorite film of comedy directors Bobby & Peter Farrelly (The Farrelly Brothers), as stated in The AFI 100 Years, 100 Laughs special. The Balladeers from There’s Something About Mary are inspired by the similar characters in Cat Ballou.
  • Imagery from the hanging scene of Jane Fonda was used in spoofs advocating her execution for treason following her 1972 visit to Hanoi to support the communist Vietnamese in their war against the United States (after which she has been dubbed “Hanoi Jane“). A very brief shot from that scene was also used as part of Alex DeLarge‘s sadistic reverie in the movie version of A Clockwork Orange. This would have been an anachronism in the book upon which A Clockwork Orange was based, as the Anthony Burgess novel was published in 1962, three years before Cat Ballou was released. Burgess’s novel obviously, therefore, did not depict Alex DeLarge viewing this film.

Background

Nat King Cole died of lung cancer (he was a heavy smoker) several months before the film was released. He started showing symptoms of the disease on the film.

Among many others, Kirk Douglas turned down the role of Shelleen; ironically, many years later he would play a similar double role in The Man from Snowy River. Jack Palance desperately wanted the role but was never offered it.

Ann-Margret was first choice for the title role but turned it down.

At his acceptance at the Oscars, Lee Marvin opened by saying, “Half of this Oscar belongs to a horse someplace out in the valley”.

In the film’s beginning, the Columbia Pictures “Torch Lady” did a quick-change into a cartoon Cat Ballou, who drew and fired her sixguns into the air.

Goofs

  • Nat King Cole and Stubby Kaye, who sing and play the banjo in the beginning of the film, are quite obviously not playing their instruments.
  • Kid Shelleen mistakenly sings “Happy Birthday To You” when he sees the candles on Frankie Ballou’s coffin. The tune was published as a kindergarten song “Good Morning To All” in 1893 (the movie takes place in 1894), but it’s doubtful the song would have spread to the wild West within a year; but, more importantly, the “Happy Birthday to You” lyrics didn’t appear until 1924.
  • There is a scene later in the movie in which Lee Marvin is shooting objects thrown into the air (the second time). If one pays attention to the background, right after he shoots a stick, it is possible to see a small plane in the sky.

Cast

  • Jane Fonda as Cat Ballou.
  • Lee Marvin as Kid Shelleen and Tim Strawn.
  • Michael Callan as Clay Boone.
  • Dwayne Hickman as Jed.
  • Nat King Cole as The Sunrise Kid and Stubby Kaye as Professor Sam the Shade. (The pair, billed onscreen simply as Shouters, intermittently narrate the story through verses of the Ballad of Cat Ballou.)
  • Tom Nardini as Jackson Two-Bears.
  • John Marley as Frankie Ballou.
  • Reginald Denny as Sir Harry Percival.
  • Tucson Bar (AKA Amigo) as Drunk Horse.

Gunfighters of Casa Grande

Filed under: 1960's Films — Tags: — Wayne @ 8:32 am
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Gunfighters of Casa Grande (Spanish: Los Pistoleros de Casa Grande) is a 1964 Eurowestern film, co-produced by the United States and Spain. Based on a story by Borden and Patricia Chase, it was later developed into a screenplay with the assistance of screenwriter Clark Reynolds and directed by Roy Rowland, one of the last films he directed for Metro-Goldwyn-Mayer.

The film starred Alex Nicol, Jorge Mistral, Dick Bentley, Steve Rowland, Phil Posner, Mercedes Alonso, Diana Lorys, Maria Granada, Roberto Rey and Aldo Sambrell. Antonio Mayans and José Manuel Martín both had minor appearances in the film, Martin having an uncredited role.

The film’s trailer was originally narrated by voice actor Don LaFontaine in his first credited role. He had been working as recording engineer and copy writer when, after the original announcer failed to appear for the scheduled recording, LaFontaine agreed to record the trailer.

Reaction

Gunfight at Casa Grande was released in Spain during early 1964 and premiered in the United States on April 1, 1964; it was later released in Europe between May 1964 and September 1965. Moderately successful, the film earned 19,939,562 ? (US: $189,608) during its initial run in Spain. As of September 1, 1965, the film was still running in American theaters and appeared in the New York-area as a double feature along with She.

The film was aired on television in the United States during the late 1960′s until the mid 1970′s and again during the early-to-mid 1990′s. The film was released on DVD during the early 2000′s, although this was on a limited scale and consequently remains one of the more obscure and hard-to-find westerns.

Cast

  • Alex Nicol as Joe Daylight — an outlaw and professional gambler, he is the leader of a group of bandits rustling cattle across the US-Mexican border.
  • Jorge Mistral as The Traveler — a recent member of the gang, he is the most outspoken of the group questioning Daylight’s leadership.
  • Steve Rowland as The Kid — the youngest member of the gang, he and The Traveler become friends. Although reluctantly supporting Daylight, he and The Traveler eventually side against him.
  • Dick Bentley as Doc — one Daylight’s three partners, he is an elderly outlaw. Although less vocal, he wishes to retire in Mexico with the others.
  • Phil Posner as Henri — another of Daylight’s partners.
  • Mercedes Alonso as Dona Maria de Castellar — the daughter of a neighboring rancher, she falls in love with The Traveler.
  • Diana Lorys as Gitana — the girlfriend of Joe Daylight.
  • Maria Granada as Pacesita — the personal maid and confidant of Maria, she and The Kid also become involved romantically.
  • Roberto Rey as Don Castellar de Verdugo — a neighboring rancher and landowner. He is the father of Maria de Castellar.
  • Aldo Sambrell as Rojo — a rival bandit leader whose gang is threatening the ranchers in the area, including Joe Daylight’s outfit.

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