Cowboy Movies

January 11, 2009

The Villain

Filed under: 1970's Films — Tags: — Wayne @ 6:46 am
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The Villain is a 1979 sendup of western films, directed by Hal Needham, starring Kirk Douglas, Arnold Schwarzenegger, Ann-Margret, Paul Lynde, Foster Brooks, Strother Martin, Ruth Buzzi, Jack Elam, and Mel Tillis. It was released in the UK and in Australia as Cactus Jack.

Plot

The plot revolves around a woman named Charming Jones (Ann-Margret) being escorted by cowboy Handsome Stranger (Schwarzenegger) — named by his mother after his father — to claim money left by her father Parody Jones (Martin). But the rich Avery Simpson (Elam) wants to steal his own money and hires an old cowboy Cactus Jack Slade(Douglas) to rob them when they ride back from the town. However Jack is not very good at robbery.

In essence, the trip back with the money is a live-action tribute to Looney Tunes, particularly the Road-Runner cartoons, with Jack playing the part of Wile E. Coyote, including cartoon gravity and painted tunnel entrances. At the end however there is a surprise twist when Charming chooses Cactus Jack over Handsome (and his naive and staunchly pure-hearted intentions towards her).

Trivia

In 1994′s Wagons East (remembered as actor John Candy’s last film), the character of John Slade is based on Cactus Jack.

This was the final film for actor/comdedian Paul Lynde .

In Terminator 2, the rest stop where Sarah Connor, John Connor and the Terminator (Played by Arnold) stop is called “Cactus Jack’s.”

The Frisco Kid

Filed under: 1970's Films — Tags: — Wayne @ 6:44 am
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The Frisco Kid is a 1979 movie directed by Robert Aldrich. The movie is a Western comedy featuring Gene Wilder as Avram Belinski, a Polish rabbi who is traveling to San Francisco, and Harrison Ford as a bank robber who befriends him.

Trivia

  • According to Gene Wilder’s autobiography, the Tommy role, played by Harrison Ford, was originally planned for John Wayne.
  • The scene in the bar got Harrison Ford the Indiana Jones role.

Cast

  • Gene Wilder …. Avram Belinski
  • Harrison Ford …. Tommy Lillard
  • Ramon Bieri …. Mr. Jones
  • Val Bisoglio …. Chief Gray Cloud
  • George DiCenzo …. Darryl Diggs (as George Ralph DiCenzo)
  • Leo Fuchs …. Chief rabbi
  • Penny Peyser …. Rosalie Bender
  • William Smith …. Matt Diggs
  • Jack Somack …. Samuel Bender
  • Beege Barkette …. Sarah Mindl Bender
  • Shay Duffin …. O’Leary
  • Walter Janovitz …. Old Amish man (as Walter Janowitz)
  • Joe Kapp …. Monterano
  • Clyde Kusatsu …. Mr. Ping (railroad work crew)
  • Clifford A. Pellow …. Mr. Daniels (as Cliff Pellow)

The Apple Dumpling Gang Rides Again

Filed under: 1970's Films — Tags: — Wayne @ 6:42 am
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The Apple Dumpling Gang Rides Again is a 1979 sequel to the 1975 family hit The Apple Dumpling Gang starring the comedy duo of Tim Conway, and Don Knotts. Conway and Knotts reprise their roles as Amos and Theodore. The film also stars Tim Matheson, Harry Morgan, and Kenneth Mars. Laugh-In star Ruth Buzzi appears in a small cameo as a wild farsighted woman.

Quotes

  • Theodore- We got to put some distance between us and this town or it’s going to become our permanent residence, and I mean permanent.
  • Amos- Where is your horn, Little Boy Blue?
  • Amos- Our picture’s never going to get in the history books now.
  • Theodore- Oh, yes it will. We’ll go down as numbers 16 or 17 shot by Marshall Wooly Bill Hitchcock.
  • Theodore- First thing we’re going to do is open a bank account.
  • Amos- Now, is that different from opening a safe.
  • “Come here boys ha ha ha ha ha!” -Wooly Bill Hitchcock
  • “Don’t eat the flowers Jeff, there’s more!” -Martha

Cast

  • Tim Conway … Amos Tucker
  • Don Knotts … Theodore Olevie
  • Tim Matheson … Pvt. Jeff Reed
  • Kenneth Mars … Marshal Woolly Bill Hitchcock
  • Elyssa Davalos … Milly Gaskill (Miss Gaskill)
  • Jack Elam … Big Mack
  • Robert Pine … Lt. Jim Ravencroft
  • Harry Morgan … Maj. Gaskill (Milly’s dad)
  • Ruth Buzzi … Old Tough Kate, aka ‘Granny’
  • Audrey Totter … Martha Osten (Blind Cabin Widow)
  • Richard X. Slattery … Sgt. Slaughter (chief soldier)
  • John Crawford … Sherick
  • Cliff Osmond … Wes Hardin (Bank-robber)
  • Ted Gehring … Hank Starrett (Bank-robber)
  • Morgan Paull … Corporal #1

Goin’ South

Filed under: 1970's Films — Tags: — Wayne @ 6:40 am
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Goin’ South is an American western-comedy film, directed by and starring Jack Nicholson. The 1978 film also starred Mary Steenburgen in her movie debut and included Christopher Lloyd, John Belushi (movie debut), Richard Bradford, Veronica Cartwright, Danny DeVito and Ed Begley, Jr.

Plot outline

Henry Lloyd Moon (Nicholson), a third-rate outlaw in the late 1860s, is a bank-robber, horse thief and cattle thief who is due to be hanged in Longhorn, Texas to the great glee of the local populace and especially of the deputy sheriff. Moon comes under especially close scrutiny from some women in the town, which turns out to be because of a local ordinance, dating back to Civil War days, that allowed a condemned man to be saved from the gallows if an unmarried lady would agree to marry him and be responsible for his good behaviour.

Moon is saved from hanging by the intervention of a lovely young woman who agrees to marry and take charge of him. Julia Tate (Steenburgen), the headstrong but genteel Southern virgin who weds Moon, initially only wants him to help her work the gold mine she insists is on her property; but their shaky partnership soon evolves into much more.

The film was not well-received by critics or moviegoers.

The film was co-written by John Herman Shaner and produced by Harry Gittes, both longtime friends of Jack from his early days in Hollywood.

Cast

  • Jack Nicholson – Henry Lloyd Moon
  • Mary Steenburgen – Julie Tate
  • Christopher Lloyd – Deputy Towfield
  • John Belushi – Deputy Hector
  • Richard Bradford – Sheriff Andrew Kyle
  • Veronica Cartwright – Hermine
  • Jeff Morris – Big Abe
  • Danny DeVito – Hog
  • Tracey Walter – Coogan
  • Luana Anders – Loretta Anderson
  • Lucy Lee Flippin – Diane Haber
  • Ed Begley, Jr. – Whitey Haber

The Shootist

Filed under: 1970's Films — Tags: — Wayne @ 6:36 am
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The Shootist is a novel written by Glendon Swarthout and published in 1975.

The book was made into a 1976 Western film directed by Don Siegel and is noted as being the final film role of actor John Wayne. Scott Hale and Miles Ho

Background

The character of J.B. Books (Swarthout based the character on John Wesley Hardin) serves to parallel the final days of John Wayne, who died from stomach cancer three years after production ended. The Shootist would be his final film role, concluding a legendary career that began during the silent film era in 1926. The knowledge of Wayne’s health during the production would inspire much of the dialogue and imagery of the film. Lauren Bacall had suffered through the 1957 death of her husband Humphrey Bogart, who died of throat cancer, adding further shading to the parallels of the film.

A popular urban myth holds that Wayne was dying of cancer when he made this film. Although he was in poor health during the production and this was generally considered to be his final film role, he had been cancer-free since undergoing surgery to remove his left lung in 1964. The cancer would not return until the last year of his life.

At the time the movie rights were purchased, John Wayne was not seriously considered for the role, due to questions about his health and his ability to complete the filming. The producers had wanted George C. Scott, but Wayne actively campaigned for the role and made completion of the filming a personal mission.

The film was shot on location in Carson City, Nevada and at studios in Burbank, California. In Carson City, the house at 500 N. Mountain Street that doubled for J.B. Books’ rooming house (owned by Bond Rogers in the movie) is three doors south from the Nevada governor’s mansion. The only change to the house was a portico added on the southern side. Besides changing the location from El Paso to Carson City, and having his horse Dollor written in, Wayne also changed the ending of the screenplay. Books was supposed to shoot Jack Pulford (Hugh O’Brian) in the back, and then Gillom Rogers (Ron Howard) was to shoot Books. Wayne said “I’ve made over 250 pictures and have never shot a guy in the back. Change it.” He also did not want the young Gillom killing him. The screenplay was changed, having him shoot Pulford in the head, the bartender then shooting Books, followed by Rogers shooting the bartender.

The horse that J.B. Books (Wayne) rides in the film, Dollor (‘Ole Dollor), that he gives to Gillom Rogers (Howard), had been Wayne’s favorite horse for ten years, through several Westerns. The horse shown during the final scene of True Grit was Dollor, a two-year-old in 1969. Wayne had Dollor, a chestnut Quarter horse gelding, written into the script (although there is no mention in the book of a specific horse) of The Shootist because of his love for the horse, it was a condition for him working on the project. Wayne would not let anyone else ride the horse. Robert Wagner was a rare exception, who rode the horse in a segment of the Hart to Hart television show, after Wayne’s death.[2]

John Wayne and Lauren Bacall made one previous film together two decades earlier called Blood Alley (1955), a seafaring adventure set in China.

James Stewart and John Wayne also made one previous film together, John Ford’s The Man Who Shot Liberty Valance (1962).

od Swarthout (son of the author) wrote the screenplay.

Reception

Upon its release in June 1976, The Shootist was a minor success, earning nearly $6,000,000. It received fair-to-excellent reviews, with enormous praise heaped on Wayne by many critics. It was named one of the Ten Best Films of 1976 by the National Board of Review, along with All the President’s Men and Network, and was nominated for one Oscar, a Golden Globe, a BAFTA award, and a Writers Guild of America award. The film currently holds a 93% fresh rating on Rotten Tomatoes.

Cast

  • John Wayne – John Bernard “J.B.” Books
  • Lauren Bacall – Bond Rogers
  • Ron Howard – Gillom Rogers
  • James Stewart – Dr. E.W. Hostetler
  • Richard Boone – Mike Sweeney
  • Hugh O’Brian – Jack Pulford
  • Harry Morgan – Carson City Marshal Walter J. Thibido
  • John Carradine – Hezekiah Beckum (undertaker)
  • Sheree North – Serepta
  • Scatman Crothers – Moses Brown
  • Bill McKinney – Jay Cobb (owner, Cob’s Creamery)
  • Rick Lenz – Dan Dobkins (reporter, ‘Morning Appeal’)

The Outlaw Josey Wales

Filed under: 1970's Films — Tags: — Wayne @ 6:28 am
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The Outlaw Josey Wales is a 1976 revisionist Western film set at the end of the American Civil War directed by and starring Clint Eastwood (as the eponymous Josey Wales), with Chief Dan George, Sondra Locke, Bill McKinney, John Vernon, Paula Trueman, Sam Bottoms, Geraldine Keams, John Russell, Woodrow Parfrey, Joyce Jameson, Sheb Wooley, John Quade, Will Sampson, and Royal Dano.

The movie was adapted by Sonia Chernus and Philip Kaufman from the novel The Rebel Outlaw: Josey Wales (republished in 1975 under the title Gone to Texas) by Forrest Carter.

In 1996, this film was placed in the United States Library of Congress and selected for preservation in their National Film Registry.

Significance

The film was nominated for the Academy Award for Original Music Score. In 1996, this film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in their National Film Registry. It was also one of the few Western movies to receive critical and commercial success in the 1970s at a time when the Western was thought to be dying as a major genre in Hollywood.

The film is considered a ‘Revisionist Western’ because the lead character and hero is an outlaw and parts of the Union Cavalry (and therefore the United States) are shown in a negative light. Such a depiction of U.S. Cavalry ran counter to traditional Westerns preceding it. The Outlaw Josey Wales has also become a cult favorite (along with the similar Ride with the Devil) among many University of Missouri Tiger supporters, due to its subject matter of a man fighting “Kansas Jayhawkers”.

Clint Eastwood has stated on the 1999 DVD release of the movie that this is his favorite of all his films.

This movie is the source of the Directors Guild of America’s so-called “Eastwood Rule.” After Eastwood replaced director Philip Kaufman, the DGA instituted a ban on any current cast or crew replacing the director of a film.

The film was based on a novel by Forrest Carter. After the film’s release it was revealed that Forrest Carter was in fact Asa Carter (1925-1979), a former Ku Klux Klan (KKK) member and speechwriter for politician George Wallace. Eastwood and others involved in the production were reportedly unaware of this connection at the time the film was made. Ironically, a major theme of the film is about people of different races, mainly Native Americans and Caucasians, learning to live together peacefully. The Chief Dan George character makes pointed references to injustices done to his people by white Americans, especially the Trail of Tears.

Cast

  • Clint Eastwood … Josey Wales
  • Chief Dan George … Lone Watie
  • Sondra Locke … Laura Lee
  • Bill McKinney … Terrill
  • John Vernon … Fletcher
  • Paula Trueman … Grandma Sarah
  • Sam Bottoms … Jamie Wales
  • Geraldine Keams … Little Moonlight
  • Woodrow Parfrey … Carpetbagger
  • Joyce Jameson … Rose Wales
  • Sheb Wooley … Travis Cobb
  • Royal Dano … Ten Spot

The Missouri Breaks

Filed under: 1970's Films — Tags: — Wayne @ 6:25 am
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The Missouri Breaks is a 1976 American western film starring Marlon Brando and Jack Nicholson. The film was directed by Arthur Penn, with supporting performances by Randy Quaid, Harry Dean Stanton, Frederic Forrest and Kathleen Lloyd. The score was composed by John Williams.

The title of the movie refers to a forlorn and very rugged area in north central Montana, where over eons the Missouri River has made countless deep cuts or “breaks” in the land. The movie chronicles a gang of horse thieves that set their sights on a Montana ranch, with Nicholson posing as a farmer who soon comes under the suspicion of Brando, an eccentric bounty hunter hired by the ranch’s ruthless owner.

In a May 24, 1976 Time magazine interview it was revealed that Brando “changed the entire flavor of his character—a bounty hunter called Robert E. Lee Clayton—inventing a deadly hand weapon resembling both a harpoon and a mace that he uses to kill. ‘I always wondered why in the history of lethal weapons no one invented that particular one. It appealed to me because I used to be very expert at knife throwing.’”

Because of several instances of animal cruelty inflicted during the filming of several scenes—which resulted in the death of one horse and the wounding of several others—this film appears on the American Humane Association’s “unacceptable” list.

Cast

  • Marlon Brando … Robert E. Lee Clayton
  • Jack Nicholson … Tom Logan
  • Randy Quaid … Little Tod
  • Kathleen Lloyd … Jane Braxton
  • Frederic Forrest … Cary
  • Harry Dean Stanton … Calvin
  • John McLiam … David Braxton
  • John P. Ryan … Si (as John Ryan)
  • Sam Gilman … Hank Rate
  • Steve Franken … Lonesome Kid
  • Richard Bradford … Pete Marker
  • James Greene … Hellsgate rancher
  • Luana Anders … Rancher’s wife
  • Danny Goldman … Baggage clerk
  • Hunter von Leer … Sandy

Keoma

Filed under: 1970's Films — Tags: — Wayne @ 6:23 am
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Keoma, also released in various counties under the titles Django Rides Again and The Violent Breed, is a 1976 Spaghetti Western film directed by Enzo G. Castellari and starring Franco Nero and Donald O’Brian. Keoma, one of the last notable films of its genre, is considered by some to be one of the finest spaghetti westerns ever made, with its scenes of slow motion, gun fights, an anti hero and musical soundtrack. The film follows the plot line of Django (1966), also starring Franco Nero.

Plot

Keoma (Nero) returns back to his home town to find his brothers have sided with an outlaw, and with the help of his father, a family friend he vows revenge. Keoma also shows a mark of compassion when he saves a dying woman from a mine full of plague victims.

Cast

  • Franco Nero … Keoma
  • Woody Strode … George
  • William Berger … William Shannon
  • Donald O’Brien … Caldwell (as Donald O’Brian)
  • Olga Karlatos … Lisa
  • Giovanni Cianfriglia … Gang Member (as Ken Wood)
  • Orso Maria Guerrini … Butch
  • Gabriella Giacobbe … The Witch
  • Antonio Marsina … Lenny

The Duchess and the Dirtwater Fox

Filed under: 1970's Films — Tags: — Wayne @ 6:20 am
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The Duchess and the Dirtwater Fox is a 1976 western romantic comedy film starring Goldie Hawn and George Segal, produced, directed and co-written by Melvin Frank.

Plot

A dance hall girl, Duchess, joins with a gambler nicknamed the “Dirtwater Fox” on the way to Salt Lake City, Utah. Seeking refuge from a pursuing gang of outlaws, the Duchess and the Dirtwater Fox join a wagon train of Mormons.

Cast

  • George Segal as Charlie “Dirtwater Fox” Malloy
  • Goldie Hawn as Amanda “Duchess” Quaid
  • Conrad Janis as Gladstone
  • Thayer David as Josiah Widdicombe
  • Jennifer Lee as Trollop
  • Sid Gould as Rabbi
  • Pat Ast as Music hall singer
  • E. J. André as Prospector
  • Richard Farnsworth as Stagecoach driver
  • Clifford Turknett as Mr. Weatherly

Buffalo Bill and the Indians

Filed under: 1970's Films — Tags: — Wayne @ 6:18 am
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Buffalo Bill and the Indians, or Sitting Bull’s History Lesson is a 1976 revisionist Western directed by Robert Altman and based on the play Indians by Arthur Kopit. It stars Paul Newman as Bill, with Geraldine Chaplin, Will Sampson, Joel Grey, and Harvey Keitel.

The film was poorly received at the time of its release, when the country was celebrating its bicentennial. As in MASH, Altman skewers an American historical myth of heroism, in this case the notion that noble white men fighting bloodthirsty savages won the West.

Plot

The film opens in 1885 with the arrival of an important new guest star in Cody’s grand illusion, Chief Sitting Bull (Frank Kaquitts) of Little Big Horn fame. Much to Cody’s annoyance, Sitting Bull proves to be not a murdering savage but a genuine embodiment of what the whites believe about their own history out west–he is quietly heroic and morally pure. He also refuses to portray Custer’s Last Stand as a cowardly sneak attack: instead, he asks Cody to act out the massacre of a peaceful Sioux village by marauding bluecoats. Enraged, Cody fires him but is forced to relent when star attraction Annie Oakley (Chaplin) takes Sitting Bull’s side.

Altman’s Interpretation

Like many of Altman’s films, Buffalo Bill and the Indians is an ensemble piece with an episodic structure. It follows the day to day performances and behind-the-scenes intrigues of Buffalo Bill Cody‘s famous “Wild West Show,” a hugely popular 1880′s entertainment spectacular that starred the former Indian fighter, scout and buffalo hunter. Altman uses the setting to criticize Old West motifs, presenting the eponymous western hero as a show-biz creation who can no longer separate his invented image from reality. Altman’s Cody is a loud-mouthed buffoon, a man who claims to be one with the Wild West but lives in luxury, play-acting daily in a western circus of his own making. Cody’s long hair is a wig, he can’t shoot straight anymore or track an Indian, and all his staged battles with ruffians and savages are rigged in his favor. However, this does not keep him from acting as if his triumphs are real, or plaguing his patient entourage of yes-men with endless monologues about himself.

Most of the film was shot on location in rugged Alberta, Canada.

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